Based on an idea I've read in some other blogs, I turned on my iTunes here at work, went to the complete library (3850 songs), and played it on shuffle. The object is to document the first ten songs that play and, if other blogs have taught me anything, attempt to come up with some witty banter about each. Here goes...
1. "Candy Man" by Vertical Horizon
One of the worst songs off of their otherwise very good album "Running on Ice," this song feels like filler on the album, with Keith Kane doing his "I wish I was David Gray" vocal stylings, instead of the more-soothing Matt Scannell. The harmonies and great acoustic guitar work are still there, however.
2. "Drag Me Down" by God Lives Underwater
Ahh, yes. Two teenagers in 1993 with a Power Mac created a six-song EP of quasi-industrial/electronic music about 5-7 years before recording everything onto a computer/Pro Tools became the norm. Very washed out and crunchy-sounding. Not quite the best thing they ever did, but not quite the worst either.
3. "Heaven Beside You" by Alice in Chains
My best college friend Tyler and I used to argue about whether or not this was a good album/song, with no resolution ever really coming. I was more firmly entrenched in the "Dirt" AiC camp, and he in the "Jar of Flies" camp. That said, we still played a lot of Super Mario Kart (the original, head-to-head, Ghost Valley 1, over and over) and drank a shit-load of beer.
4. "Depends" by Blink-182
Wow. This is ooooooold. From their first ever album "Cheshire Cat" which was when they were actually a real punk band. The thrust of this song is that they truly can't control their bladders/colons, and the chorus is:
voice 1: "Well, I guess it all depends"
beat
voice 2: "Undergarments!"
The song itself is only about 90 seconds long, followed by 70 seconds of banter, including Mark Hoppus doing a version of the jive-talkers from "Airplane!" and ends with the phrase: "Who taught you how to throw the dick down the stairs?" Good times. No wait, bad times. I'm not sure.
5. "Renholder" by A Perfect Circle
Mysterious sounding acoustic riff with eastern-feeling vocals over it, from their first album "Mer de Noms." A great album from top to bottom. Everything Maynard James Keenan touches turns to gold.
6. "Faces in Disguise" by Sunny Day Real Estate
Wow, I'd forgotten how much I used to fucking LOVE this song. The F-major/D-minor/A-major chord progression on the keyboard to begin it just melts me. I used to tell my friend Rob that if I was ever a movie director, this is the song I would use for any and all love-making scenes, because it has the ambiance and also the chorus "Faces in disguise / not a trace of desire" in it. Perfect movie sex scene music, I'd say. In a totally un-related matter, I believe I was single at the time I hatched this theory. Creepy overtures aside, it's still a bad ass song, especially when Jeremy Enigk's super-falsetto kicks in about the 2:45 mark. And, when listening to the album, it leads right into "The Rising Tide," which is the best ending to an album I've ever heard in recent memory. Well, except for the Blink-182 "dick down the stairs" thing I mentioned above.
7. "Big-Eyed Fish" by Dave Matthews Band
Classic "careful what you wish for" song about the grass being greener on the other side of the fence. Except that, in true Dave fashion, once on the other side of the fence, all of his subjects die. "Oh God, under the weight of life / things seem so much brighter on the other side." Indeed. From the "meh"-inspiring "Busted Stuff" album, this is one of those songs that has its moments, but on the whole pales in comparison to what we've come to love about DMB. The live version on "Live at Folsom Field" is a little better, if only because of the extended pan flute solo and the adaptation of the monkey story in which Dave relates to us that "every monkey should know / stay up in your fucking tree." Indeed, Dave. Another second-to-last song on an album that moves seamlessly into "Bartender," which is actually a song I do enjoy from the BS album.
8. "High Hopes" by Pink Floyd
Wow, iTunes must know I'm doing something special with this listening session. When this album came out in the spring of my junior year of high school, I put this song on so many mix tapes for so many people. And, interestingly enough, it continues with the DMB theme of "grass is greener" (although much more explicit). This song is about Pink Floyd's break up, so you can imagine the mix-tape-power I wielded with this song as a 16-17 year old teen-angst sufferer convinced that no girl would ever like/understand me. But, the true Pink Floyd guitar solo at the end always gave me hope. Maybe that's the point of the song.
9. "Best of What's Around" by Dave Matthews Band
It figures that even with 3850 songs, 2 DMB songs would show up. I guess that's what happens when 234 of those songs are DMB songs. This is a good tune, and leads in to one of the best albums of the 90's, in my opinion. It was just the perfect time for DMB to break big when they did, and this album is the reason. There isn't a bad song on the record. And, for once, Dave has a seemingly uplifting message: your friends are important; no matter how much shit comes around, you can make the best of it with the right people. So not about weed, Jesus, sex, or death. So NOT DMB.
10. "Another Know It All" by Chevelle
Finally, something heavy. One has to remember that I listened to a lot of heavy, heavy music as a younger man (I won't say metal, because I can't claim to like the serious metal). This isn't the best Chevelle song ever, but it is on an album ("This Type of Thinking [Could Do Us In]")that has some political overtones here and there, which I dig. Not quite as good a song as "Breach Birth" on the same album, but a nice way to wrap up my 10 Random.
Anyone else want to give it a go?
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6 comments:
Heaven Beside You is a good album/song in the sense that Lane Staley was a heroin addicted freak that left only a couple albums of stuff to listen to.
In the grand scheme of the Alice in Chains library, however, it is at the bottom of the barrel and I don't know that I would ever voluntarily choose to listen to it.
Dirt and Jar of Flies/Sap albums are equally as good but seem like they were recorded by entirely different bands. I guess it just depends what kind of flavor you are looking for at the moment. I probably listen to more of Jof/Sap.
And, my argument was never to say that JoF wasn't a good record. It was/is, and I do really like it. I just didn't like the song-writing as much on the self-titled record, and found Dirt to be one of the seminal works of the grunge movement.
The only differences between Pearl Jam and Alice in Chains, to me, is that 1) Pearl Jam would include the accoustic and hard stuff on the same albums whereas AiC had 1 accoustic and then 1 hard and then 1 accoustic etc and 2) Lane Staley checked out early enough where I don't really see AiC to be as big or a joke as Pearl Jam appears to me now.
I try and stay away from seminal work arguments because it doesn't really matter to me where the work rests in a historical perspective, just whether or not I like it.
and i used to think you had amazing taste in music...
1. things have changed - bob dylan
2. sweedeedee - cat power
3. open the door - otis redding
4. remember me - british sea power
5. birdhouse in your soul - they might be giants
6. song for the asking - simon and garfunkel
7. seven - sunny day real estate
8. the inner light - the beatles
9. hardly getting over it - husker du
10. soaked - pinback
i couldn't have scripted it better (all things considered). and seven played seventh. i guess i've got it when it comes to itunes shuffle.
If only I had any idea who "anonymous" was and why he/she thinks my musical tastes suck.
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